The Works of Christopher Marlowe, Band 1 |
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Seite x
Marginal scribblings " in a very old hand ” have been so frequently fabricated that
I was inclined to attach no importance to this MS . note , but the Keeper of the
Records of Canterbury Cathedral , Mr. J. B. Sheppard , kindly extracted from the ...
Marginal scribblings " in a very old hand ” have been so frequently fabricated that
I was inclined to attach no importance to this MS . note , but the Keeper of the
Records of Canterbury Cathedral , Mr. J. B. Sheppard , kindly extracted from the ...
Seite xiv
... of the hand - writing ; but when we remember how many documents , proved
afterwards to be forgeries , Collier put 1 The ballad is given in full at the end of
the third volume . 6 forward as genuine , we shall be quite justified xiv
Introduction .
... of the hand - writing ; but when we remember how many documents , proved
afterwards to be forgeries , Collier put 1 The ballad is given in full at the end of
the third volume . 6 forward as genuine , we shall be quite justified xiv
Introduction .
Seite xv
... in clumsy imitation of Henslowe's hand . The forger , however , has shown
some skill in his treatment of a narrow blot or smudge which intersects the upper
part of the ll in the second ' shellinges ; ' for in order that the writing may appear to
be ...
... in clumsy imitation of Henslowe's hand . The forger , however , has shown
some skill in his treatment of a narrow blot or smudge which intersects the upper
part of the ll in the second ' shellinges ; ' for in order that the writing may appear to
be ...
Seite xxiv
Then , to complete the monotony , at the end of each verse came a pause , which
effectually excluded all freedom of movement . This state of things Marlowe
abolished . At a touch of the master's hand the heavygaited verses took symmetry
...
Then , to complete the monotony , at the end of each verse came a pause , which
effectually excluded all freedom of movement . This state of things Marlowe
abolished . At a touch of the master's hand the heavygaited verses took symmetry
...
Seite xxviii
From this one passage it is plain that the first quarto does not represent the play
exactly as it came from Marlowe's hand . But on the strength of internal evidence
we might go further , and say that the comic scenes are in no instance by ...
From this one passage it is plain that the first quarto does not represent the play
exactly as it came from Marlowe's hand . But on the strength of internal evidence
we might go further , and say that the comic scenes are in no instance by ...
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arms Bajazeth bear blood body bring Call Christian Clown conquered crown cursed damned death devil Doctor doth Dyce earth edition Emperor Enter Exeunt Exit eyes fair fall Faustus fear field fire follows friends fury give gold grace hand hast hath head hear heart heaven Hell hold holy honour horse I'll keep king late leave lines live looks lord majesty Marlowe Marlowe's Master mean Meph Mephistophilis mighty mind never Old copies passage Persian play poet Pope presently printed rest SCENE slave soldiers soul speak spirits stand stay sweet sword Tamb Tamburlaine Tech Techelles tell thee Ther Theridamas thou thou shalt thoughts thousand Turk turn unto villain Wagner walls wilt wound Zenocrate
Bibliografische Informationen
| Titel | The Works of Christopher Marlowe, Band 1 English dramatists The Works of Christopher Marlowe, Christopher Marlowe |
| Autoren | Christopher Marlowe, Richard H. Horne |
| Herausgeber | Arthur Henry Bullen |
| Verlag | John C. Nimmo., 1885 |
| Original von | University of Iowa |
| Digitalisiert | 28. Dez. 2015 |
| Zitat exportieren | BiBTeX EndNote RefMan |