Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 178
... classical style of the early Florentine sung drama , with its preponderance of recitative and its serious plot , by the introduction of the songs , dances , and spectacle which had hitherto been characteristic of the intermedio . The ...
... classical style of the early Florentine sung drama , with its preponderance of recitative and its serious plot , by the introduction of the songs , dances , and spectacle which had hitherto been characteristic of the intermedio . The ...
Seite 178
... classical style of the early Florentine sung drama , with its preponderance of recitative and its serious plot , by the introduction of the songs , dances , and spectacle which had hitherto been characteristic of the intermedio . The ...
... classical style of the early Florentine sung drama , with its preponderance of recitative and its serious plot , by the introduction of the songs , dances , and spectacle which had hitherto been characteristic of the intermedio . The ...
Seite 234
... classical use of chorus.38 One of the most interesting examples of seventeenth- century oratorio , which shows many of the classical influ- ences of sung drama , is actually based on the Samson story : Il Sansone , by Benedetto Ferrari ...
... classical use of chorus.38 One of the most interesting examples of seventeenth- century oratorio , which shows many of the classical influ- ences of sung drama , is actually based on the Samson story : Il Sansone , by Benedetto Ferrari ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
An AntiPythagorean Cross | 126 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance described divine Donne doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry Lawes idea imagery imagined influence Italian John John Donne lines Loeb London lute Lycidas lyrical magic masque melodramma melody ment Milton mind monody mood motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists occult oratorio organ Orpheus parallel passage passion pastoral philosophy Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Richard Crashaw Robert Fludd Rome Samson Agonistes sense seventeenth-century shepherd singing song soul stanza Stefano Landi strings style sung sweet theory things Thomas thought tion Tronsarelli tune universe verse voice words world spirit writing wrote