Comic Practice/comic ResponseUniversity of Delaware Press, 1993 - 199 Seiten This study focuses on response to comedy. The author maintains we respond rather mindlessly to comic effect. Comedy itself, in the philosophical sense, is seen as play. The play impulse is manifest in numerous forms from theater to painting, the novel to sculpting, poetry to cartooning; and each medium has its own semiotic language. |
Inhalt
| 11 | |
Operations of the Art of Comedy | 35 |
The Meanings of Comedy | 55 |
Modes of Comedy Meaning | 73 |
Modes of Comedy Perceptual Play | 94 |
ComicSerious SeriousComic | 114 |
HumorComedy Television | 135 |
Contexts Extensions | 153 |
Notes | 169 |
Bibliography | 186 |
| 197 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action aesthetic audience response awareness Beckett Blazing Saddles Bloom County Boar's Head California Press characters cognitive comic artist comic effect comic response comic values concept conventions creative critical dance deep Drama Elder Olson element embodied emotional dialectic ending episode experience exploration expression Falstaff farce farceur feel fictional film genre happy Henry Henry IV Hotspur humor instance irony joke juxtaposition language laughter lead-in literary London loony Lucrezia Margaret Houlihan meaning medium Menandrine mind mode Monty Python narrative Neil Simon novel Odd Couple Olivia operations Oscar overall parody Pegeen perceptual play Phebe phenomenological play's playful Psychology punch line reader ridicule Robbins satire scene semiotic serious Shakespeare signification sitcom situation comedy slapstick social sponse stage structure subcomedy surface effect symbolic Synge television theater theatrical thematic things tion variety show visual Waiting for Godot Wolfgang Iser women York
Beliebte Passagen
Seite 19 - Play is always play of absence and presence, but if it is to be thought radically, play must be conceived of before the alternative of presence and absence. Being must be conceived as presence or absence on the basis of the possibility of play and not the other way around.