SUMMER The subject proposed. Invocation. Address to Mr. Dodington An introductory reflection on the motion of the heavenly bodies; whence the succession of the seasons. As the face of Nature in this season is almost uniform, the progress of the poem is a description of a summer's day. The dawn. Sun-rising. Hymn to the sun. Forenoon. Summer insects described. Haymaking. Sheepshearing. Noonday. A woodland retreat. Group of herds and flocks. A solemn grove: how it affects a contemplative mind. A cataract, and rude scene. View of Summer in the torrid zono Storm of thunder and lightning. A tale. The storm over, a serene afternoon. Bathing. Hour of walking. Transition to the prospect of a rich well cultivated country; which introduces a panegyric on Great Britain. Sun-set. Evening. Night. Summer meteors. A comet. The whole concluding with the praise of philosophy. FROM brightening fields of ether fair disclosed, 5 Hence, let me haste into the midwood shade, Where scarce a sunbeam wanders through the gloom; And on the dark-green grass, beside the brink 11 Of haunted stream, that by the roots of oak Rolls o'er the rocky channel, lie at large, And sing the glories of the circling year. Come, Inspiration! from thy hermit-seat, 15 By mortal seldom found: may Fancy dare, 20 And thou, my youthful Muse's early friend, 25 30 With what an awful world-revolving power Were first the unwieldly planets launch'd along 35 That oft has swept the toiling race of men And all their labour'd monuments away, To the kind-temper'd change of night and day, 40 When now no more the' alternate Twins are fired, And Cancer reddens with the solar blaze, Short is the doubtful empire of the night; 45 And soon, observant of approaching day, The meek-eyed Morn appears, mother of dews, At first faint-gleaming in the dappled east: And, from before the lustre of her face, 50 White break the clouds away. With quicken'd step, Brown Night retires: young Day pours in apace, And opens all the lawny prospect wide. The dripping rock, the mountain's misty top Swell on the sight, and brighten with the dawn. 55 Blue, through the dusk, the smoking currents shine, And from the bladed field the fearful hare Limps, awkward; while along the forest glade The wild deer trip, and often turning gaze The native voice of undissembled joy; And thick around the woodland hymns arise. Roused by the cock, the soon-clad shepherd leaves For is there ought in sleep can charm the wise? To lie in dead oblivion, losing half The fleeting moments of too short a life; Total extinction of the' enlighten'd soul! Or else, to feverish vanity alive, 75 Wilder'd, and tossing through distemper'd dreams? 80 But yonder comes the powerful King of Day, And sheds the shining day, that burnish'd plays 85 On rocks and hills and towers and wandering streams, High gleaming from afar. Prime cheerer, Light! 90 Of all material beings first and best! Efflux divine! Nature's resplendent robe! Without whose vesting beauty all were wrapp'd In unessential gloom! and thou, O Sun! Soul of surrounding worlds' in whom best seen 95 Shines out thy Maker! may I sing of thee' 'Tis by thy secret, strong, attractive force, 100 106 110 Without whose quickening glance their cumbrous orbs In world-rejoicing state, it moves sublime. 115 A common hymn: while, round thy beaming car, 120 The Zephyrs floating loose, the timely Rains, And soften d into joy the surly Storms. 125 These, in successive turn, with lavish hand, Herbs, flowers, and fruits, and, kindling at thy touch, Nor to the surface of enliven'd earth, The mineral kinds confess thy mighty power 130 Effulgent, hence the veiny marble shines; 135 Hence Labour draws his tools; hence burnish'd War Gleams on the day! the nobler works of Peace Hence bless mankind, and generous Commerce binds The round of nations in a golden chain. The' unfruitful rock itself, impregn'd by thee, 140 In dark retirement forms the lucid stone. The lively diamond drinks thy purest rays, 145 150 154 Than the green emerald shows. But, all combined, Thick through the whitening opal play thy beams; As the site varies in the gazer's hand. The very dead creation, from thy touch, 160 165 170 |