Music as Philosophy: Adorno and Beethoven's Late StyleIndiana University Press, 14.06.2006 - 369 Seiten Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. |
Inhalt
1 Away with All Rules? | 1 |
2 Styles | 16 |
3 Adornos Beethoven | 44 |
4 Late Landscapes | 71 |
5 Invisible Cities | 113 |
6 Ways of World Making | 148 |
7 Kunstvereinigung | 198 |
8 Caesura of the Classical Style | 226 |
9 The Persistence of Critical Theory | 262 |
Conclusion | 281 |
Appendix | 285 |
Notes | 337 |
347 | |
359 | |
367 | |
Andere Ausgaben - Alle anzeigen
Music as Philosophy: Adorno and Beethoven's Late Style Michael Spitzer Eingeschränkte Leseprobe - 2021 |
Music as Philosophy: Adorno and Beethoven's Late Style Michael Spitzer Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
Verweise auf dieses Buch
In(ter)discipline: New Languages for Criticism Gillian Beer,Malcolm Bowie,Beate Julia Perrey Eingeschränkte Leseprobe - 2007 |