Faust: Icon of Modern CultureHelm Information Limited, 2004 - 444 Seiten This title provides an exploration of the way Faust has achieved iconic status in modern culture by examining in his image in literature, theatre, film, art. |
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Seite 141
... appears to claim her prize . She turns herself into a serpent and devours Faust on the steps of the cathedral . A resident of Paris from the early 1830s onwards , Heine places less emphasis on the speculative than on the sensual side of ...
... appears to claim her prize . She turns herself into a serpent and devours Faust on the steps of the cathedral . A resident of Paris from the early 1830s onwards , Heine places less emphasis on the speculative than on the sensual side of ...
Seite 339
... appears as a plasticine head , and his dialogues with Faust are taken from Marlowe , while the Harlequin character only appears as a puppet . Švankmajer's selection of texts aggressively disrupts the familiar canonical hierarchy . The ...
... appears as a plasticine head , and his dialogues with Faust are taken from Marlowe , while the Harlequin character only appears as a puppet . Švankmajer's selection of texts aggressively disrupts the familiar canonical hierarchy . The ...
Seite 341
... appears in an alchemist's laboratory , dropping down in front of a bemused Čepek . While it seems to be a self - sufficient theatrical space , containing some props , backdrops , and puppets , there is no obvious explanation for its ...
... appears in an alchemist's laboratory , dropping down in front of a bemused Čepek . While it seems to be a self - sufficient theatrical space , containing some props , backdrops , and puppets , there is no obvious explanation for its ...
Inhalt
Editors Preface 5 | 1 |
Acknowledgements | 10 |
From Superstition to Scepticism | 53 |
Urheberrecht | |
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