The Tragedy of Anthony and Cleopatra
Oxford University Press, 2000 - 388 Seiten
Now available in beautiful World's Classics editions--with handsome, four-color covers and new low prices--The Oxford Shakespeare offers new and authoritative edions of Shakespeare's plays. In each volume, an introductory essay provides all relevant background information together with an appraisal of critical views and the play's performance history. In addition, the detailed commentaries pay particular attention to the language and staging. These editions are perfect for all readers, whether actors needing stage directions, students desiring comprehensive (yet inobtrusive) notes, or the reader of classic literature returning to the Bard's timeless writings.
The most formally ambitious and poetically brilliant of Shakespeare's tragedies, Anthony and Cleopatra is also one of his most critically contentious plays in terms of the degree and nature of its success. Always alert to the play's theatricality and boldly experimental design, the wide-ranging introduction offers a fresh critical account of the play, exploring its paradoxical treatment of gender and identity as well as the rich complexity and tensions of its much-loved poetic language. With a generous appendix of Shakespeare's source materials, this edition also offers a full stage history.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Andere Ausgaben - Alle anzeigen
action Agrippa Anthony and Cleopatra Anthony's Antonius appear Appendix battle becomes beginning body Caesar called CAPELL character CHARMIAN cited dead death desire edition editors effect Egypt Egyptian Enobarbus Enter Eros example Exeunt Exit F divides fight figure follow fortune friends give given GUARD hand hath heart heroic honour imagination Iras Italy Julius kind King leave Lepidus less live look lord matter mean Menas MESSENGER monument nature never noble Octavia once OXFORD paradoxical performance perhaps play play's Plutarch political Pompey POPE possible present production prose Queen reading rhetoric Roman Rome ROWE royal scene SECOND seems sense sent Shakespeare side soldiers speak speech stage suggests sword tell Theatre theatrical thee thing thou thought tion tragedy triumph turn unto women