The Elizabethan Theatre IV: PapersGeorge Richard Hibbard Archon Books, 1974 - 175 Seiten |
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Seite 67
... true man , king - breaker and king - maker . The author of The Wasp understands the Stuart political world quite well . The disguises and intrigues of his play dramatize the prevailing duplicity , and also the conflict of loyalties ...
... true man , king - breaker and king - maker . The author of The Wasp understands the Stuart political world quite well . The disguises and intrigues of his play dramatize the prevailing duplicity , and also the conflict of loyalties ...
Seite 155
... true from the false and make clear which is which for all to see . Jonson cared enough about the truth , not merely to maintain his control over things by master- ing the facts of two periods of Roman history , but also to demonstrate ...
... true from the false and make clear which is which for all to see . Jonson cared enough about the truth , not merely to maintain his control over things by master- ing the facts of two periods of Roman history , but also to demonstrate ...
Seite 165
... true principles of life and the universe and man's history - which can be discovered by patient study , careful judgment , and sceptical understanding . " In action , there is noth- ing new , More , then to varie what our elders knew ...
... true principles of life and the universe and man's history - which can be discovered by patient study , careful judgment , and sceptical understanding . " In action , there is noth- ing new , More , then to varie what our elders knew ...
Inhalt
Ben Jonson on his beloved The Author | 22 |
Hamlet and the Pangs of Love J M Nosworthy | 41 |
A Trial Flight J W Lever | 57 |
Urheberrecht | |
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The Elizabethan Theatre IV: Papers Given at the Fourth International ..., Band 4 George Richard Hibbard Keine Leseprobe verfügbar - 1974 |
Häufige Begriffe und Wortgruppen
actors appears audience Bartholomew Fair beauty beginning believe Ben Jonson better called celebration characters Charis close comedy comic Company course court critics Delight described direction disguised door drama dramatist edition effect Elizabethan English epigrams especially face fact Fair final follows give given Hamlet hand hope ideal interest James John Jonson Justice kind King Lady language later least less lines live London look lyric masques means mind nature opening Ophelia Peniboy performance perhaps Plautus play poem poet poetry praise present reason refers remarks Revels revenge scene seems seen sense Shakespeare shows speak speech stage stanza staple suggest surely theatre things thought tion tragedy Triumph true truth turn University Wasp whole writing written young