The Ornithology of Shakespeare: Critically examined, explained and illustratedGood Press, 11.12.2019 - 1548 Seiten In 'The Ornithology of Shakespeare', James Edmund Harting explores the prominent role that birds play in the works of William Shakespeare. Through meticulous analysis and extensive research, Harting delves into the symbolic significance of birds in Shakespearean literature, shedding light on their representation of various themes such as love, death, and fate. Harting's scholarly approach to examining the ornithological references in Shakespeare's works provides readers with a deeper understanding of the cultural and literary context in which these references were made. His eloquent prose and attention to detail make this book a valuable resource for both Shakespeare enthusiasts and ornithology scholars alike. James Edmund Harting, a noted ornithologist and natural historian, brings his expertise in the field to this comprehensive study of birds in Shakespeare's plays and poems. His passion for both literature and ornithology is evident throughout the book, as he connects these seemingly disparate subjects with skill and insight. Harting's background and knowledge make him uniquely qualified to offer readers a thorough exploration of the avian imagery in Shakespearean works. I highly recommend 'The Ornithology of Shakespeare' to anyone interested in delving deeper into the rich symbolism and hidden meanings of Shakespeare's writings. Harting's scholarly analysis and expert commentary provide readers with a fresh perspective on familiar texts, making this book a must-read for literature enthusiasts and scholars alike. |
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Seite iv
... called “Jansen portrait,” in the collection of the Duke of Somerset, considering it to have been painted by Cornelius Jansen, in 1610, for Lord Southampton, the great patron, at that date, of art and the drama. The picture, indeed ...
... called “Jansen portrait,” in the collection of the Duke of Somerset, considering it to have been painted by Cornelius Jansen, in 1610, for Lord Southampton, the great patron, at that date, of art and the drama. The picture, indeed ...
Seite xi
... called in most aptly by way of simile or metaphor . We cannot forget Titania's directions to her fairies in regard to Bats : - " Some war with rear mice24 for their leathern wings , To make my small elves coats " ( Midsummer Night's.
... called in most aptly by way of simile or metaphor . We cannot forget Titania's directions to her fairies in regard to Bats : - " Some war with rear mice24 for their leathern wings , To make my small elves coats " ( Midsummer Night's.
Seite 1
... called " the enamell❜d skin " ( Midsummer Night's Dream , Act ii . Sc . 1 ) ; at other times the " casted slough " ( Henry V. Act iv . Sc . 1 , and Twelfth Night , Act iii . Sc . 4 ) ; and the " shining checker'd slough " ( Henry VI ...
... called " the enamell❜d skin " ( Midsummer Night's Dream , Act ii . Sc . 1 ) ; at other times the " casted slough " ( Henry V. Act iv . Sc . 1 , and Twelfth Night , Act iii . Sc . 4 ) ; and the " shining checker'd slough " ( Henry VI ...
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... called forth as occasion required, to be aptly and eloquently introduced into his works. Apart from the consideration that a poet may be expected, almost of necessity, to invoke the birds of song, Shakespeare has gone further, and ...
... called forth as occasion required, to be aptly and eloquently introduced into his works. Apart from the consideration that a poet may be expected, almost of necessity, to invoke the birds of song, Shakespeare has gone further, and ...
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... called by Virgil and Ovid “ Jovis armiger , " from an antique group , representing the eagle and Ganymedes , may be seen in Bell's " Pantheon , " vol . i . Also “ a small bronze eagle , the ensign of a Roman legion , " is given in ...
... called by Virgil and Ovid “ Jovis armiger , " from an antique group , representing the eagle and Ganymedes , may be seen in Bell's " Pantheon , " vol . i . Also “ a small bronze eagle , the ensign of a Roman legion , " is given in ...
Inhalt
THE OWL AND ITS ASSOCIATIONS | |
THE CROWS AND THEIR RELATIONS | |
THE BIRDS OF SONG | |
THE BIRDS UNDER DOMESTICATION | |
THE GAMEBIRDS AND QUARRY FLOWN AT BY FALCONERS | |
WILDFOWL AND SEAFOWL | |
VARIOUS BIRDS NOT INCLUDED IN THE FOREGOING CHAPTERS | |
APPENDIX | |
INDEX | |
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Häufige Begriffe und Wortgruppen
alluded allusion amongst ancient animal appears barnacles beak bird buzzard caliver called choughs cock cormorants Crow cuckoo curious Cymbeline daye paied doth doubt doves eagle eggs England eyes falcon falconry Falstaff feathers feed fish flight following passage fowl frequently Goose goshawk gull habits haggard Hamlet hath hawk head Henry Henry VI heron iiij Julius Cæsar King Lear kite lapwing lark Lord Love's Labour's Lost Macbeth mentioned Merchant of Venice Midsummer Night's Dream naturalist nest nightingale observed Ornithology partridge peacock pece pelican pheasants Philomel pigeons Plays poet portrait prey quails raven referred Richard Roman Romeo and Juliet says Seel Shakespeare Shakespeare's day Shrew sing song sparrow speaking species sport swallow swan Taming Tempest thee thou Titus Andronicus Troilus and Cressida Twelfth Night viij vulture wild wild-fowl wind wings Winter's Tale Woodcock word wren young