Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 16
... sleep . Whatever the experience , the ass apparently made very little of it until afterwards , until it is lodged in the memory , but unable to be made present , accounted for , recorded , textualised . For Bottom now , waking up , it ...
... sleep . Whatever the experience , the ass apparently made very little of it until afterwards , until it is lodged in the memory , but unable to be made present , accounted for , recorded , textualised . For Bottom now , waking up , it ...
Seite 252
... sleep awhile ' ( line 197 ) . The sequence in which both brothers fall into the pit will seem absurd unless played hypnotically and un- derstood in the context of the web of associations be- tween wombs , darkness , lust , sleep and ...
... sleep awhile ' ( line 197 ) . The sequence in which both brothers fall into the pit will seem absurd unless played hypnotically and un- derstood in the context of the web of associations be- tween wombs , darkness , lust , sleep and ...
Seite 309
... sleep- ing Leir and Perillus stand behind the sleeping Alonso and Gonzalo of The Tempest , but the case differs from Richard III or Hamlet , because there is no compelling combination of details . 15 Narrative and Dramatic Sources , 3 ...
... sleep- ing Leir and Perillus stand behind the sleeping Alonso and Gonzalo of The Tempest , but the case differs from Richard III or Hamlet , because there is no compelling combination of details . 15 Narrative and Dramatic Sources , 3 ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York