Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite ix
... present day , derives from the hundreds of periodicals and books excerpted for the series . Students and teachers at all levels of study will benefit from SC , whether they seek information for class discussions and written assignments ...
... present day , derives from the hundreds of periodicals and books excerpted for the series . Students and teachers at all levels of study will benefit from SC , whether they seek information for class discussions and written assignments ...
Seite 21
... present . Discussing the importance of the psychoanalytic dialogue as a process of production- " For the function of language is not to inform but to evoke " , Lacan says he adds , What is realised in my history is not the past definite ...
... present . Discussing the importance of the psychoanalytic dialogue as a process of production- " For the function of language is not to inform but to evoke " , Lacan says he adds , What is realised in my history is not the past definite ...
Seite 196
... present threats or concerns . That these achieve articulation only in two royal excursions into present tense ( “ I am Richard 2d " and " the Witt of the Foxe is every wheare on foote " ) embodies significant evaluative orientations and ...
... present threats or concerns . That these achieve articulation only in two royal excursions into present tense ( “ I am Richard 2d " and " the Witt of the Foxe is every wheare on foote " ) embodies significant evaluative orientations and ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York