Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 165
... mind of all nations , " Fynes Moryson lamented the failure of the English to follow the example of " the wise Romans ... mind followeth much the temperature of the body , and also the words are the image of the mind , so as they ...
... mind of all nations , " Fynes Moryson lamented the failure of the English to follow the example of " the wise Romans ... mind followeth much the temperature of the body , and also the words are the image of the mind , so as they ...
Seite 325
... mind to the received meaning of the play . Generally speaking , what a play means is primarily con- ditioned by how the audience logically makes out the whole sequence of incidents and situations incorporated in the play's action . What ...
... mind to the received meaning of the play . Generally speaking , what a play means is primarily con- ditioned by how the audience logically makes out the whole sequence of incidents and situations incorporated in the play's action . What ...
Seite 331
... mind , black skin thus denoted extreme Otherness , with overlays of satanic propensity and sexual perversion . " Best's account mirrors but does not exactly parallel the version Shakespeare would have read in the Geneva Bi- ble of 1560 ...
... mind , black skin thus denoted extreme Otherness , with overlays of satanic propensity and sexual perversion . " Best's account mirrors but does not exactly parallel the version Shakespeare would have read in the Geneva Bi- ble of 1560 ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York