Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 90
... meaning the act produces ( a better word would be presents , as in presents a compliment ) necessarily pre - exists it ; or , to put it an- other way , in Speech Act theory , meaning is prior to ut- terance " ( p . 1003 ) . One could ...
... meaning the act produces ( a better word would be presents , as in presents a compliment ) necessarily pre - exists it ; or , to put it an- other way , in Speech Act theory , meaning is prior to ut- terance " ( p . 1003 ) . One could ...
Seite 188
... meaning but also a val- ue . " In fact , " referential meaning is molded by evalua- tion ; it is evaluation , after all , which determines that a particular referential meaning may enter the purview of speakers . " This primacy of ...
... meaning but also a val- ue . " In fact , " referential meaning is molded by evalua- tion ; it is evaluation , after all , which determines that a particular referential meaning may enter the purview of speakers . " This primacy of ...
Seite 384
... meaning though the overtone here , I admit , would reinforce the meaning if the context called for it . Pequigney's assumptions that words can take on a sexual meaning regardless of context leads to downright absur- dity as in the ...
... meaning though the overtone here , I admit , would reinforce the meaning if the context called for it . Pequigney's assumptions that words can take on a sexual meaning regardless of context leads to downright absur- dity as in the ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York