Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 80
Seite 64
... later occasions in his ability to fix in his spectators ' minds the images that he wants to turn to account later in the unfolding of a comic design . Nevertheless , the return is there in good measure in the sec- ond scene ; and as a ...
... later occasions in his ability to fix in his spectators ' minds the images that he wants to turn to account later in the unfolding of a comic design . Nevertheless , the return is there in good measure in the sec- ond scene ; and as a ...
Seite 234
... later sixteenth century . Only in the 1580s James had conducted a clandestine correspon- dence with various elder statesmen in England in order to cement a Scottish - English alliance and possibly to seal his own claims to one or other ...
... later sixteenth century . Only in the 1580s James had conducted a clandestine correspon- dence with various elder statesmen in England in order to cement a Scottish - English alliance and possibly to seal his own claims to one or other ...
Seite 345
... later in his killing of the lion that threatens his brother's life - presumably , given the Herculean overtones of Oliver's description of the event , by wrestling with it.3 This later use of wrestling reverses the significance ...
... later in his killing of the lion that threatens his brother's life - presumably , given the Herculean overtones of Oliver's description of the event , by wrestling with it.3 This later use of wrestling reverses the significance ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York