Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 18
... identity ? ( What is an actor in Shakespeare but a walking shadow , a figure without substance , such stuff as dreams are made on ? ) Appropriately enough , Bottom does indeed take on a new identity when he becomes an ass , and finds he ...
... identity ? ( What is an actor in Shakespeare but a walking shadow , a figure without substance , such stuff as dreams are made on ? ) Appropriately enough , Bottom does indeed take on a new identity when he becomes an ass , and finds he ...
Seite 224
... identity— but only in part.12 For this play and others suggest that selfhood can be realized in other ways , through roles whose prescriptions for being and acting are already in place . It is not Shakespeare but Hamlet , after all ...
... identity— but only in part.12 For this play and others suggest that selfhood can be realized in other ways , through roles whose prescriptions for being and acting are already in place . It is not Shakespeare but Hamlet , after all ...
Seite 318
... identity appears primarily to be the internalization of a prohibition that proves to be formative of identity . " 2 53 For the Victorian age and its aftermath - the period re- sponsible for the invention of homosexuality and its ta- boo ...
... identity appears primarily to be the internalization of a prohibition that proves to be formative of identity . " 2 53 For the Victorian age and its aftermath - the period re- sponsible for the invention of homosexuality and its ta- boo ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York