Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 56
... describes Beatrice ( at least in her earlier unreformed phase ) as ' self - centred ' , ' the embodiment of pride ' , a person who ' cannot love ' , ' a crippled personality , the very antithesis of the outgoing , self - giving ...
... describes Beatrice ( at least in her earlier unreformed phase ) as ' self - centred ' , ' the embodiment of pride ' , a person who ' cannot love ' , ' a crippled personality , the very antithesis of the outgoing , self - giving ...
Seite 76
... describes her employer's verbal insults with the same terms that describe his frit- tered English . Explaining to John Rugby why he must watch at the window for Caius's approach , she predicts that if the doctor were to " find any body ...
... describes her employer's verbal insults with the same terms that describe his frit- tered English . Explaining to John Rugby why he must watch at the window for Caius's approach , she predicts that if the doctor were to " find any body ...
Seite 252
... describes the pit as ' loathsome ' ( line 193 ) . When the first son ( Martius ) falls in , the second ( Quintus ) describes it almost as a kind of womb : What subtle hole is this , Whose mouth is covered with rude - growing briers Upon ...
... describes the pit as ' loathsome ' ( line 193 ) . When the first son ( Martius ) falls in , the second ( Quintus ) describes it almost as a kind of womb : What subtle hole is this , Whose mouth is covered with rude - growing briers Upon ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York