Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 25
... Taming of the Shrew and its obsessive investments in the reinstat- ment of a hierarchically gendered order . Shakespeare's play is set in England . But in the unusual framing device with which it opens , the play literally dislocates ...
... Taming of the Shrew and its obsessive investments in the reinstat- ment of a hierarchically gendered order . Shakespeare's play is set in England . But in the unusual framing device with which it opens , the play literally dislocates ...
Seite 33
... Taming of the Shrew “ work ” through the unconscious displacement of class hostilities onto gender ; for women , who are the locus of that dis- placement , the fantasies this play offers must " work " in precisely the inverse way ...
... Taming of the Shrew “ work ” through the unconscious displacement of class hostilities onto gender ; for women , who are the locus of that dis- placement , the fantasies this play offers must " work " in precisely the inverse way ...
Seite 34
... Taming of the Shrew and insistently removes it from the category of com- edy . In doing so , he points toward new locations from which we might profitably consider the cultural fantasies constituted in and reproduced by The Taming of ...
... Taming of the Shrew and insistently removes it from the category of com- edy . In doing so , he points toward new locations from which we might profitably consider the cultural fantasies constituted in and reproduced by The Taming of ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York