Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 83
... speech acts . Those speech acts are considered more dubious if others try to pro- nounce them ; but Austin is not engaged in describing how one might question the source of that institutional power or the ways in which new institutions ...
... speech acts . Those speech acts are considered more dubious if others try to pro- nounce them ; but Austin is not engaged in describing how one might question the source of that institutional power or the ways in which new institutions ...
Seite 90
... Speech Acts : Shakespeare's Lan- castrian Tetralogy ( Berkeley : University of California Press , 1979 ) and Mary Louise Pratt , Toward A Speech Act Theory of Literary Discourse ( Bloomington : Indiana University Press , 1977 ) . See ...
... Speech Acts : Shakespeare's Lan- castrian Tetralogy ( Berkeley : University of California Press , 1979 ) and Mary Louise Pratt , Toward A Speech Act Theory of Literary Discourse ( Bloomington : Indiana University Press , 1977 ) . See ...
Seite 398
... Speech Act theory will be invaluable in this analysis , although the essay will also isolate the limitations involved in the application of Speech Acts to the literary text . In view of these difficulties , I shall propose a new avenue ...
... Speech Act theory will be invaluable in this analysis , although the essay will also isolate the limitations involved in the application of Speech Acts to the literary text . In view of these difficulties , I shall propose a new avenue ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York