Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 301
... Leir in Richard III , The Merchant of Venice , As You Like It , and Hamlet , and there is a curious give and take be- tween these plays , the Leir play , and King Lear . ' Consid- er the following features that are not found in the old Leir ...
... Leir in Richard III , The Merchant of Venice , As You Like It , and Hamlet , and there is a curious give and take be- tween these plays , the Leir play , and King Lear . ' Consid- er the following features that are not found in the old Leir ...
Seite 305
... Leir play , who in his var- ious dealings with Goneril and Ragan certainly " makes love to his employment " and by implication to his em- ployers . Ragan , trying him out on the question of murder asks : " Hast thou the heart to act a ...
... Leir play , who in his var- ious dealings with Goneril and Ragan certainly " makes love to his employment " and by implication to his em- ployers . Ragan , trying him out on the question of murder asks : " Hast thou the heart to act a ...
Seite 308
... Leir's elaborate and explicit plan to manipulate Cordella's marriage choice or sums it up in the obscure one - liner of his king : " Mean- time we shall express our darker purpose " ( 1.1.36 ) . Frank Kermode has quoted and endorsed the ...
... Leir's elaborate and explicit plan to manipulate Cordella's marriage choice or sums it up in the obscure one - liner of his king : " Mean- time we shall express our darker purpose " ( 1.1.36 ) . Frank Kermode has quoted and endorsed the ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York