Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 11
Seite 374
... Imogen's flight , considered in the light of Ovid's story , proves remarkably similar in its particulars to the flight of Procris . When the enraged Cephalus reveals himself to Procris and pronounces her disloyal , she sees only one ...
... Imogen's flight , considered in the light of Ovid's story , proves remarkably similar in its particulars to the flight of Procris . When the enraged Cephalus reveals himself to Procris and pronounces her disloyal , she sees only one ...
Seite 375
... Imogen's new home . Cloten appears there as an impostor , wearing the clothes of Posthumus , fully intent on ravishing Imogen with that suit upon my back ( III.v.137 ) . This is nothing short of a second , more menacing invasion of her ...
... Imogen's new home . Cloten appears there as an impostor , wearing the clothes of Posthumus , fully intent on ravishing Imogen with that suit upon my back ( III.v.137 ) . This is nothing short of a second , more menacing invasion of her ...
Seite 378
... Imogen and Posthumus emerge from their ordeals reborn : Imogen with a renewed faith in her own virtue , and Posthumus ( whose name here takes on a literal mean- ing ) with a new largeness of heart and clarity of vision . As in The ...
... Imogen and Posthumus emerge from their ordeals reborn : Imogen with a renewed faith in her own virtue , and Posthumus ( whose name here takes on a literal mean- ing ) with a new largeness of heart and clarity of vision . As in The ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York