Journal of Beckett Studies, Ausgaben 6-8J. Calder ; Atlantic Highlands [N.J.] Humanities Press, 1980 |
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Seite 19
... creativity . It seems that Bolton's plea is not for the an - aesthetic ( or the anaesthetic ) . We might assume that he is pleading for exactly the opposite : a creative fire , a warmth and light that Holloway cannot give . And yet we ...
... creativity . It seems that Bolton's plea is not for the an - aesthetic ( or the anaesthetic ) . We might assume that he is pleading for exactly the opposite : a creative fire , a warmth and light that Holloway cannot give . And yet we ...
Seite 32
... creative endeavour . It is , in fact , anti - creative . Yet it is for this very reason that it can be regarded , though in a harshly ironic light , as a major element in the creative process . For without his sea Henry would presumably ...
... creative endeavour . It is , in fact , anti - creative . Yet it is for this very reason that it can be regarded , though in a harshly ironic light , as a major element in the creative process . For without his sea Henry would presumably ...
Seite 75
... creative synthesis might have existed , a synthesis uniting author and character , story and narration , fiction and truth within the imagination of the creative artist . In uncovering this possibility , it is essential to chart the ...
... creative synthesis might have existed , a synthesis uniting author and character , story and narration , fiction and truth within the imagination of the creative artist . In uncovering this possibility , it is essential to chart the ...
Inhalt
Editorial John Pilling | 5 |
The French Murphy from rare bird to cancre Anthony Jones | 37 |
Beckett Valéry and Watt Ross Posnock | 51 |
Urheberrecht | |
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animals appears artist attempt audience Beckett Studies Beckettian becomes bicycle body Boyars Burroughs characters Clov consciousness created creative critical dark described Didi drama dream Embers Endgame English Estragon existence experience expression eyes fiction Film finally Finnegans wake French Ghost trio Godot Gogo Grove Press Henry Henry's Holloway human Imagination dead imagine James Joyce John Calder Journal of Beckett Joyce Krapp Krapp's last tape language light London Malone Malone dies means memory Mercier and Camier mind Molloy Molloy's Moran movement Murphy Murphy's narrative narrator nature never novel object Pause perceived perception perhaps play possible present pricks than kicks protagonist Proust quincunx reader reality reference rotunda Samuel Beckett scene seems sense sentence sound space speak stage Stoppard story strange suggests T.S. Eliot theatre thing Tom Stoppard University unnamable Valéry vision voice Waiting for Godot Watt words writing