Journal of Beckett Studies, Ausgaben 6-8J. Calder ; Atlantic Highlands [N.J.] Humanities Press, 1980 |
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Seite 23
The body in Beckett's theatre Pierre Chabert The body is always present in those forms of theatre which use actors , but it may be present and active in many different ways . In theatre based on characters ( the majority of existing ...
The body in Beckett's theatre Pierre Chabert The body is always present in those forms of theatre which use actors , but it may be present and active in many different ways . In theatre based on characters ( the majority of existing ...
Seite 26
... body which here becomes indistinguishable from a statue . One's attention is naturally concentrated upon the musicality and rhythm of the move- ments and the gestures . The Beckettian body is at once , with its misery and its ...
... body which here becomes indistinguishable from a statue . One's attention is naturally concentrated upon the musicality and rhythm of the move- ments and the gestures . The Beckettian body is at once , with its misery and its ...
Seite 27
... body , ) and total immobility are made subservient to the appearance of the movements pertaining to the articulation of words . And yet the dialectic ... body . The body becomes the sensitive receptacle The body in Beckett's theatre 27.
... body , ) and total immobility are made subservient to the appearance of the movements pertaining to the articulation of words . And yet the dialectic ... body . The body becomes the sensitive receptacle The body in Beckett's theatre 27.
Inhalt
Editorial John Pilling | 5 |
The French Murphy from rare bird to cancre Anthony Jones | 37 |
Beckett Valéry and Watt Ross Posnock | 51 |
Urheberrecht | |
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