Journal of Beckett Studies, Ausgaben 6-8J. Calder ; Atlantic Highlands [N.J.] Humanities Press, 1980 |
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Seite 56
... beginning and ending . In being ' he ' no longer , he begins to be Other ; but his beginning is not so much a commencement as an interruption and his end does not complete a movement because nothing can be said to have begun . The sound ...
... beginning and ending . In being ' he ' no longer , he begins to be Other ; but his beginning is not so much a commencement as an interruption and his end does not complete a movement because nothing can be said to have begun . The sound ...
Seite 68
... beginning of one overlapped the end of the other , for about ten seconds ' . We are concerned here with three eyes ... beginning . At the beginning ' the observer can note the difference , but now it is impossible . The contrast was only ...
... beginning of one overlapped the end of the other , for about ten seconds ' . We are concerned here with three eyes ... beginning . At the beginning ' the observer can note the difference , but now it is impossible . The contrast was only ...
Seite 71
... beginning of the piece , we have ' emptiness , silence , heat , whiteness ' , and four other nouns which recur as a group throughout the piece : ' ground , wall , vault , bodies ' . The natural world was symbolized by four constituents ...
... beginning of the piece , we have ' emptiness , silence , heat , whiteness ' , and four other nouns which recur as a group throughout the piece : ' ground , wall , vault , bodies ' . The natural world was symbolized by four constituents ...
Inhalt
Editorial John Pilling | 5 |
The French Murphy from rare bird to cancre Anthony Jones | 37 |
Beckett Valéry and Watt Ross Posnock | 51 |
Urheberrecht | |
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