Journal of Beckett Studies, Ausgaben 6-8J. Calder ; Atlantic Highlands [N.J.] Humanities Press, 1980 |
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Seite 34
when Moran recognizes that ' the colour and weight of the world were changing already , soon I would have to admit that I was anxious ' ( p . 96 ) . To borrow Molloy's image of Galileo's vessels , material from the uncon- scious is ...
when Moran recognizes that ' the colour and weight of the world were changing already , soon I would have to admit that I was anxious ' ( p . 96 ) . To borrow Molloy's image of Galileo's vessels , material from the uncon- scious is ...
Seite 40
... Moran is at this point evading only the self's future identity , not his need to be dispossessed of self . That acquiescence is vividly dramatized in the next event , where Moran encounters a stranger acting out a parody of Moran's ...
... Moran is at this point evading only the self's future identity , not his need to be dispossessed of self . That acquiescence is vividly dramatized in the next event , where Moran encounters a stranger acting out a parody of Moran's ...
Seite 44
... Moran's serpentine wiliness is prefigured in the slyly destructive theological questions and in Comestor's crawling or walking serpent . ( ' I must not eat , ' Moran exclaims just before praising his wiliness ; Comestor means Eater ...
... Moran's serpentine wiliness is prefigured in the slyly destructive theological questions and in Comestor's crawling or walking serpent . ( ' I must not eat , ' Moran exclaims just before praising his wiliness ; Comestor means Eater ...
Inhalt
Editorial John Pilling | 5 |
The French Murphy from rare bird to cancre Anthony Jones | 37 |
Beckett Valéry and Watt Ross Posnock | 51 |
Urheberrecht | |
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