The Works of John Dryden, Volume XIII: Plays: All for Love, Oedipus, Troilus and CressidaUniversity of California Press, 24.01.1985 - 672 Seiten Volume XIII contains three of Dryden's Plays, along with accompanying scholarly appartus: All for Love, Oedipus, and Troilus and Cressida. |
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Seite 10
... Antony and Cleopatra , is a Subject which has been treated by the greatest Wits of our Nation , after Shakespeare ; and by all so variously , that their example has given me the confidence to try my self in this Bowe of Ulysses amongst ...
... Antony and Cleopatra , is a Subject which has been treated by the greatest Wits of our Nation , after Shakespeare ; and by all so variously , that their example has given me the confidence to try my self in this Bowe of Ulysses amongst ...
Seite 11
... Antony in some measure , by making Octavia's departure , to proceed wholly from her self ; yet the force of the ... Antony ] D1–2 ; Anthony Q1–3 , F. 4 Antony ] D1-2 ; Anthony Q1–3 , F. Honest Montaigne goes yet farther : Nous ne sommes ...
... Antony in some measure , by making Octavia's departure , to proceed wholly from her self ; yet the force of the ... Antony ] D1–2 ; Anthony Q1–3 , F. 4 Antony ] D1-2 ; Anthony Q1–3 , F. Honest Montaigne goes yet farther : Nous ne sommes ...
Seite 19
... Antony and Venti- dius in the first Act , to any thing which I have written in this kind . 2 Antony ] D1-2 ; Anthony Q1–3 , F. W PROLOGUE to Antony and Cleopatra . HAT Flocks of. All for Love 19.
... Antony and Venti- dius in the first Act , to any thing which I have written in this kind . 2 Antony ] D1-2 ; Anthony Q1–3 , F. W PROLOGUE to Antony and Cleopatra . HAT Flocks of. All for Love 19.
Seite 20
... Antony and Cleopatra . HAT Flocks of Critiques hover here to day , As Vultures wait on Armies for their Prey , All gaping for the Carcass of a Play ! With Croaking Notes they bode some dire event ; And follow dying Poets by the scent ...
... Antony and Cleopatra . HAT Flocks of Critiques hover here to day , As Vultures wait on Armies for their Prey , All gaping for the Carcass of a Play ! With Croaking Notes they bode some dire event ; And follow dying Poets by the scent ...
Seite 21
... is past , Whose Grapes and Peaches have Indulg'd your taste , Take in good part from our poor Poets boord , 40 Such rivell'd Fruits as Winter can afford . Persons Represented . Marc Antony , Ventidius , his General. All for Love 21.
... is past , Whose Grapes and Peaches have Indulg'd your taste , Take in good part from our poor Poets boord , 40 Such rivell'd Fruits as Winter can afford . Persons Represented . Marc Antony , Ventidius , his General. All for Love 21.
Inhalt
Oedipus | 113 |
Troilus and Cressida | 217 |
Commentary | 357 |
Textual Notes | 567 |
Appendixes | 625 |
Index to the Commentary | 637 |
Häufige Begriffe und Wortgruppen
Achilles Adrastus Æge Ægeon Æneas Agamemnon Ajax Alex Alexas Antony and Cleopatra Antony's Cæsar Calchas character Charmion Clark Cleo Cleop copies Corneille corrected form cou'd Creon Cressi criticism Danby death Diom Diomede Dolla Dollabella Dryden English Eurydice ev'n eyes Fate fear fool French Ghost Gods Grecian Greek Hæmon hast heart Heav'n Hect Hector Helen honour I'le Iras Jocasta John Dryden King Laius Lajus Loeb trans Lord Menelaus Nestor Octavia Oedipus Pand Pandarus passion Patroclus Phorbas plague play plot Plutarch Poem Poet Poetry pow'r preface Prince Queen Roman Rymer s.d. Enter s.d. Exeunt s.d. Exit scene Seneca set as verse Shakespeare shou'd Sophocles Soul speak speech Sword Theban Thebes thee Thers Thersites thou thought Tiresias tragedy Troilus and Cressida Trojan Troy Ulysses uncorrected Ventidius words wou'd
Beliebte Passagen
Seite 251 - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Seite 411 - A' made a finer end and went away an it had been any christom child; a' parted even just between twelve and one, even at the turning o' the tide: for after I saw him fumble with the sheets and play with flowers and smile upon his fingers...
Seite 437 - Nor set down aught in malice: then must you speak Of one that loved not wisely but too well; Of one not easily jealous, but, being wrought, Perplex'd in the extreme; of one whose hand, Like the base Indian, threw a pearl away Richer than all his tribe...
Seite 23 - Errors, like straws, upon the surface flow; He who would search for pearls must dive below.
Seite 78 - Men are but children of a larger growth; Our appetites as apt to change as theirs, And full as craving too, and full as vain ; And yet the soul, shut up in her dark room, Viewing so clear abroad, at home sees nothing; But, like a mole in earth, busy and blind, Works all her folly up, and casts it outward To the world's open view...
Seite 471 - For, if the action be but one, and that plain, without any counterturn of design or episode, ie, underplot, how can it be so pleasing as the English, which have both underplot and a turned design, which keeps the audience in expectation of the catastrophe? whereas in the Greek poets we see through the whole design at first.
Seite 99 - Caesar's fleet. Now death or conquest! If the first happen, fate acquits my promise; If we o'ercome, the conqueror is yours. [A distant shout within.