The meagre cloddy earth to glitt'ring gold. Conft. A wicked day, and not an holy-day. [Rifing. What hath this day deferv'd? what hath it done, Among the high tides in the kalendar? K. Philip. By heaven, lady, you shall have no cause Conft. You have beguil'd me with a counterfeit And our oppreffion hath made up this league: Wear out the day in peace; but ere fun-fet, But on this day,- -] That is, except on this day. 9 You came in arms to Spill my enemies' blood, But now in arms, you ftrengthen it with yours.] I am afraid here is a clinch intended; You came in war to deftroy my enemies, but now you ftrengthen them in embraces. Set Set armed difcord 'twixt these perjur'd Kings. Auft. Lady Conftance, peace. Conft. War, war, no peace; peace is to me a war. O Lymoges, O Auftria! thou doft shame That bloody fpoil: thou flave, thou wretch, thou coward, Thou little valiant, great in villainy! Thou ever ftrong upon the ftronger fide Auft. O, that a man would speak those words to me! Auft. Thou dar'ft not fay fo, villain, for thy life. Faulc. And hang a calve's fkin on those recreant limbs. 2 Auft. Methinks, that Richard's pride and Richard's fall Shakespeare makes this bitter curfe effectual. Methinks, that Richard's pride, &c.] What was the ground of this quarrel of the Ballard to Auftria is no where fpecify'd in the prefent play: nor is there in this place, or the fcene where it is first hinted at (namely the fe Should cond of Act 2.) the leaft mention of any reafon for it. But the story is, that Auftria, who kill'd King Richard Coeur-de-lion, wore as the spoil of that Prince, a lion's hide which had belong'd to him. This circumftance renders the anger of the Baftard very natural, and ought not to Should be a precedent to fright you, Sir. Faulc. What words are thefe? how do my finews fhake! My father's foe clad in my father's spoil! Delay not, Richard, kill the villain strait; "Difrobe him of the matchlefs monument, "Thy father's triumph o'er the favages.' Now by his foul I fwear, my father's foul, Twice will I not review the morning's rife, Till I have torn that trophy from thy back; And split thy heart, for wearing it fo long. K. John. We like not this, thou doft forget thyfelf. K. Philip. Here comes the holy Legate of the Pope. Pand. Hail, you anointed Deputies of heav'n! To thee, King John, my holy errand is; I Pandulph, of fair Milain Cardinal, And from Pope Innocent the Legate here, Why thou againft the Church, our holy Mother, have been omitted. In the first fketch of this play (which Shakespeare is faid to have had a hand in, jointly with William Rowley) we accordingly find this infiited upon. and I have ventured to place a few of thofe veries here. POPE. To the infertion of thefe lines I have nothing to object. There are many other paffages in the old play, of great value. The omiffion of this incident, in the fecond draught, was natural. Shakespeare, having familiarised the ftory to his own imagination, forgot that it was obfcure to his audience; or, what is equally probable, the ftory was then fo popular that a hint was fufficient at that time to bring it to mind, and these plays were written with very little care for the approbation of pofterity. Of Of Canterbury, from that holy See? K. John. What earthly name to interrogatorics? To charge me to an anfwer, as the Pope. K. Philip. Brother of England, you blafpheme in this. K. John. Tho' you, and all the Kings of Christendom Are led fo grofly by this medling Priest, Dreading the curfe, that mony may buy out; Against the Pope, and count his friends my foes. 3 This must have been at the time when it was written, in our ftruggles with popery, a very captivating scene. So many paffages remain in which Shakespeare evidently takes his advantage of the facts then recent, and of the paffions then in motion, that I cannot but fufpect that time has obfcured much of his art, and that many allufions yet remain undiscovered which perhaps may be gradually retrieved by fucceeding commentators. And And bleffed fhall he be, that doth revolt Conft. O, lawful let it be, That I have room with Rome to curfe a while. right, To my keen curfes; for without my wrong Eli. Look'ft thou pale, France? do not let go thy Conft. Look to that, devil! left that France repent, And, by disjoining hands, hell lofe a foul.Auft. King Philip, liften to the Cardinal. Faulc. And hang a calve's-fkin on his recreant limbs. Aust. Well, ruffian, I muft pocket up these wrongs, Becaufe Faulc. Your breeches best 4 This may allude to the bull published againft Queen Elizabeth. Or we may fuppofe, fince we have no proof that this play appeared in its prefent ftate, before the reign of King James, 4 that it was exhibited foon after the popifh plot. I have seen a Spanish book in which Garnet, Faux, and their accomplices are regiftred as faints. Conft. |