The Plays of William Shakespeare: In Twenty-one Volumes, with the Corrections and Illustrations of Various Commentators, to which are Added Notes, Band 7J. Nichols and Son, 1813 |
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Seite 4
... SCENE , Navarre . * This enumeration of the persons was made by Mr. Rowe . JOHNSON . LOVE'S LABOUR'S LOST . ACT I. SCENE I. Navarre . PERSONS REPRESENTED.* ...
... SCENE , Navarre . * This enumeration of the persons was made by Mr. Rowe . JOHNSON . LOVE'S LABOUR'S LOST . ACT I. SCENE I. Navarre . PERSONS REPRESENTED.* ...
Seite 5
... SCENE I. Navarre . A Park , with a Palace in it . Enter the King , BIRON , LONGAVILLE , and DUMAIN . KING . Let fame , that all hunt after in their lives , Live register'd upon our brazen tombs , And then grace us in the disgrace of ...
... SCENE I. Navarre . A Park , with a Palace in it . Enter the King , BIRON , LONGAVILLE , and DUMAIN . KING . Let fame , that all hunt after in their lives , Live register'd upon our brazen tombs , And then grace us in the disgrace of ...
Seite 10
... scene ( both what precedes and follows ) is strictly in rhymes , either successive , alternate , or triple , I am persuaded , that the copyists have made a slip here . For by making a triplet of the three last lines quoted , birth in ...
... scene ( both what precedes and follows ) is strictly in rhymes , either successive , alternate , or triple , I am persuaded , that the copyists have made a slip here . For by making a triplet of the three last lines quoted , birth in ...
Seite 16
... scene were generally of that country . Why he says , lost in the world's debate is , because the subject of those romances were the crusades of the European Christians against the Saracens of Asia and Africa . WARBURton . I have ...
... scene were generally of that country . Why he says , lost in the world's debate is , because the subject of those romances were the crusades of the European Christians against the Saracens of Asia and Africa . WARBURton . I have ...
Seite 23
... SCENE II . Another part of the same . Armado's House . Enter ARMADO and MOTH . ARM . Boy , what sign is it , when a man of great spirit grows melancholy ? MOTH . A great sign , sir , that he will look sad . ARM . Why , sadness is one ...
... SCENE II . Another part of the same . Armado's House . Enter ARMADO and MOTH . ARM . Boy , what sign is it , when a man of great spirit grows melancholy ? MOTH . A great sign , sir , that he will look sad . ARM . Why , sadness is one ...
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Amadis de Gaula ancient Ansaldo Antonio Armado BASS Bassanio Ben Jonson BIRON bond BOYET called Christian COST Costard doth ducats duke Dumain editions editor emendation Enter Exeunt Exit eyes fair father fool Giannetto give Gratiano hath hear heart heaven honour Jessica JOHNSON KATH King Henry l'envoy lady LAUN Launcelot letter Longaville lord Lorenzo Love's Love's Labour's Lost madam MALONE MASON master means merchant Merchant of Venice merry mistress Monarcho MOTH musick Nerissa never night oath old copies passage peize play poet Pompey Portia pound of flesh praise pray Princess quarto ring RITSON romances SALAN SALAR Saracens says SCENE second folio sense Shakspeare Shakspeare's Shylock signifies signior Sonnet speak STEEVENS suppose swear sweet tell thee THEOBALD thing thou thousand ducats thrasonical tongue true TYRWHITT unto Venice WARBURTON word