A Midsummer Night's DreamDavid & Charles, 1974 - 150 Seiten |
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Seite 39
... mood changes from a public occasion to a private conversation , and the style changes like- wise to suit the mood . The variations of style in this play are for the most part skilfully calculated and an important element in the dramatic ...
... mood changes from a public occasion to a private conversation , and the style changes like- wise to suit the mood . The variations of style in this play are for the most part skilfully calculated and an important element in the dramatic ...
Seite 66
... mood , the other pair also adopted . After the opening quatrain , the rest is in rhyming couplets , except when Hermia , commenting on the very elegance of Lysander's riddling , adds a third rhyme to the couplet of his smugly complacent ...
... mood , the other pair also adopted . After the opening quatrain , the rest is in rhyming couplets , except when Hermia , commenting on the very elegance of Lysander's riddling , adds a third rhyme to the couplet of his smugly complacent ...
Seite 71
... mood of comedy . [ 145-156 ] Hermia , at any rate , is not amused at her predicament , and the scene of her waking is played by the boy - actor with all the passion of a tragedian's role : how often does comedy depend upon an illusion ...
... mood of comedy . [ 145-156 ] Hermia , at any rate , is not amused at her predicament , and the scene of her waking is played by the boy - actor with all the passion of a tragedian's role : how often does comedy depend upon an illusion ...
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Häufige Begriffe und Wortgruppen
absurdity actors appearance Athenian Athens audience Aurora's harbinger ballett Bergamask Bottom Bottom's Dream boy-player Chamber Chamberlain's climax clowning comic court dance Demetrius Demetrius's device dialogue Doors doth Dover Wilson dramatic Duke Duke's early texts Egeus Elizabethan evocation eyes Fairy familiar Fisher Quarto Flute Folio gesture give groundlings hath Helena Heminges Hermia Hippolyta imagery imagination Kemp Kemp's King and Queen Lady lamentable comedy lines lovers lullaby Lysander Lysander's MIDSUMMER NIGHT'S DREAM miming mockery mood Moon mortals night Oberon once palace peare's Peaseblossom performance perhaps Philostrate phrase play play's players poet poet's poetical present prologue public playhouse Puck Puck's Pyramus and Thisbe Quince Quince's rehearsal Robin Robin Goodfellow ROMEO AND JULIET scene scrip seems sense sequel Shakes Shakespeare's sleep Snout Snug speak speech spirit Stage stage-directions Stage-Post stanza Starveling stichomythia suggestion sweet theatrical thee Theseus thou tion Tiring-House Titania Trap-Door voice whole playhouse wood words