Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 23Gale Research Company, 1984 - 464 Seiten |
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Seite 104
... sense of coherent purpose " in Goodbody's production . He notes that there were several effective performances , but charges that " they [ emerged ] in isola- tion and with no general sense of control by the direc- tor . " 1 In her ...
... sense of coherent purpose " in Goodbody's production . He notes that there were several effective performances , but charges that " they [ emerged ] in isola- tion and with no general sense of control by the direc- tor . " 1 In her ...
Seite 183
... sense of idyllic beauty in this el- egant production , " but complained that the staging suf- fered from a sense of " archness and artificiality . " Gordon P. Jones defended the director's cuts and alterations in the text , deeming the ...
... sense of idyllic beauty in this el- egant production , " but complained that the staging suf- fered from a sense of " archness and artificiality . " Gordon P. Jones defended the director's cuts and alterations in the text , deeming the ...
Seite 220
... sense of physical and emotion- al fun " of Kyle's staging of Love's Labour's Lost . He also applauds the casting of black actress Simon as Ro- saline . ] This was a production which neglected the more intricate verbal wit of the play ...
... sense of physical and emotion- al fun " of Kyle's staging of Love's Labour's Lost . He also applauds the casting of black actress Simon as Ro- saline . ] This was a production which neglected the more intricate verbal wit of the play ...
Inhalt
As You Like It | 1 |
Loves Labours Lost | 181 |
Measure for Measure | 262 |
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