Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 23Gale Research Company, 1984 - 464 Seiten |
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Seite 181
... play's first . Most commenta- tors agree that it was written for a private audience — one that was educated and familiar with the courtly manners and affectations upon which much of the play's humor is based . While a second Quarto ...
... play's first . Most commenta- tors agree that it was written for a private audience — one that was educated and familiar with the courtly manners and affectations upon which much of the play's humor is based . While a second Quarto ...
Seite 183
... play by placing the action in the eigh- teenth century , cutting and excessively rearranging the text , and failing to emphasize the play's comedic aspects . Frances Teague , for example , stated that " visually and au- rally the ...
... play by placing the action in the eigh- teenth century , cutting and excessively rearranging the text , and failing to emphasize the play's comedic aspects . Frances Teague , for example , stated that " visually and au- rally the ...
Seite 235
... play's very being , stood little chance of a sympathet- ic reception . Furthermore , to an age which , from the time of Pope onwards and increasingly with the onset of Ro- manticism , was coming to regard the creation of highly in ...
... play's very being , stood little chance of a sympathet- ic reception . Furthermore , to an age which , from the time of Pope onwards and increasingly with the onset of Ro- manticism , was coming to regard the creation of highly in ...
Inhalt
As You Like It | 1 |
Loves Labours Lost | 181 |
Measure for Measure | 262 |
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