Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 23Gale Research Company, 1984 - 464 Seiten |
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... opening scenes at court than had traditionally been attributed to the charac- ter . According to Stokes , in Rosalind , " as in all Helen Faucit's personations , it was insensibly felt that a whole life of meaning and of possibility lay ...
... opening scenes at court than had traditionally been attributed to the charac- ter . According to Stokes , in Rosalind , " as in all Helen Faucit's personations , it was insensibly felt that a whole life of meaning and of possibility lay ...
Seite 123
... opening scene ) which in turn created problems for his actors . He was able to supply some narrative cohesion by empha- sising the change of seasons as the play progressed . In the opening scene it is autumn and Orlando , rather improba ...
... opening scene ) which in turn created problems for his actors . He was able to supply some narrative cohesion by empha- sising the change of seasons as the play progressed . In the opening scene it is autumn and Orlando , rather improba ...
Seite 125
... opening scene were all coiffed and dressed in a style remi- niscent of the great Queen , Marjorie Yates as Celia being particularly like her . However this surprisingly unflatter- ing style had an ageing effect on all and emphasized the ...
... opening scene were all coiffed and dressed in a style remi- niscent of the great Queen , Marjorie Yates as Celia being particularly like her . However this surprisingly unflatter- ing style had an ageing effect on all and emphasized the ...
Inhalt
As You Like It | 1 |
Loves Labours Lost | 181 |
Measure for Measure | 262 |
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acting actors actress Adrian Noble Angelo appeared April Armado audience Barton beauty Benedick Berowne cast Celia character Charles charm Claudio comedy comic Costard costumes court critic David delight director disguise dramatic dress Drury Lane duction Duke Duke's effect Elizabethan emotional Escalus essay date feeling Festival Forest of Arden friar Ganymede Helen Faucit Holofernes Ian Richardson interpretation Isabella Jaques John Juliet ladies lines London look Love's Labour's Lost lovers Lucio Macready mance Mariana Measure for Measure ment Michael Miss Faucit modern Modjeska moral never Old Vic Orlando passion performance Peter Brook play's players Poel Poel's Pompey praise present Princess prison production Rehan review date revival Richard role Rosalind Royal Shakespeare Company scene seemed sense sexual Shake Shakespeare's plays speare's speech stage Stratford Stratford-upon-Avon suggested sure Theatre theatrical tion Touchstone Twelfth Night Vienna Vincentio William William Poel woman words young