Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 23Gale Research Company, 1984 - 464 Seiten |
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Seite 15
... less ambiguous context than in the original : Johnson en- sures that the hero's and heroine's similarity of circum- stances is keenly emphasized , especially in view of the fate they are to share . The forces of evil opposing Orlando ...
... less ambiguous context than in the original : Johnson en- sures that the hero's and heroine's similarity of circum- stances is keenly emphasized , especially in view of the fate they are to share . The forces of evil opposing Orlando ...
Seite 116
... less frequently , characters had to switch off their characterisations for uneasy and quite unnecessary attempts to sing bits of text . Since ' It was a lover and his lass ' was built up into a company cele- bration of the coming of ...
... less frequently , characters had to switch off their characterisations for uneasy and quite unnecessary attempts to sing bits of text . Since ' It was a lover and his lass ' was built up into a company cele- bration of the coming of ...
Seite 165
... less gay , less delightfully mocking , less tender , than in more conventional produc- tions , but at the same time they came across as more deep- ly erotic . The love scenes culminate in V.ii , where the complications introduced by the ...
... less gay , less delightfully mocking , less tender , than in more conventional produc- tions , but at the same time they came across as more deep- ly erotic . The love scenes culminate in V.ii , where the complications introduced by the ...
Inhalt
As You Like It | 1 |
Loves Labours Lost | 181 |
Measure for Measure | 262 |
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