Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 23Gale Research Company, 1984 - 464 Seiten |
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Seite 136
... kind were to be rejected in favor of spontaneity and naturalness . ” In particular , he finds that Fleetwood , Cusack , and Bowe " got right to the heart of the play . " ] The Stratford - upon - Avon season began with Terry Hands's ...
... kind were to be rejected in favor of spontaneity and naturalness . ” In particular , he finds that Fleetwood , Cusack , and Bowe " got right to the heart of the play . " ] The Stratford - upon - Avon season began with Terry Hands's ...
Seite 324
... kind of subtle orchestration at which this company excels , but here again there seems to be some discrepancy between the desire and the perfor- mance . Mr Barton has added a musical interlude in the prison , for instance , when the ...
... kind of subtle orchestration at which this company excels , but here again there seems to be some discrepancy between the desire and the perfor- mance . Mr Barton has added a musical interlude in the prison , for instance , when the ...
Seite 381
... kind of divini- ty . Even when the crueller aspects of his behaviour could not be ignored , as in John Blatchley's 1962 Stratford pro- duction , Tom Fleming's Duke was regarded as a capri- cious deity presiding over a universe where ...
... kind of divini- ty . Even when the crueller aspects of his behaviour could not be ignored , as in John Blatchley's 1962 Stratford pro- duction , Tom Fleming's Duke was regarded as a capri- cious deity presiding over a universe where ...
Inhalt
As You Like It | 1 |
Loves Labours Lost | 181 |
Measure for Measure | 262 |
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