Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 23Gale Research Company, 1984 - 464 Seiten |
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Seite 384
... Duke's scene with Claudio , the description of Angelo's murky past , and the whole of the finale , without a single cut . The handful of alterations was caused by the transference from the stage to the small screen , lines being dropped ...
... Duke's scene with Claudio , the description of Angelo's murky past , and the whole of the finale , without a single cut . The handful of alterations was caused by the transference from the stage to the small screen , lines being dropped ...
Seite 395
... Duke's role , in fact , is the chief means by which the comic form of the play is called into question . Aesthetically , the play feels modern because it undermines the conventions of the very form it adopts , conventions which ...
... Duke's role , in fact , is the chief means by which the comic form of the play is called into question . Aesthetically , the play feels modern because it undermines the conventions of the very form it adopts , conventions which ...
Seite 412
... Duke's story and scheme , not as burden- some plotting by a momentarily inept bard , but rather as a marvelous , ironically perfect plan , a masterstroke of dukedom . The audience is fascinated by every word of the story so played , and ...
... Duke's story and scheme , not as burden- some plotting by a momentarily inept bard , but rather as a marvelous , ironically perfect plan , a masterstroke of dukedom . The audience is fascinated by every word of the story so played , and ...
Inhalt
As You Like It | 1 |
Loves Labours Lost | 181 |
Measure for Measure | 262 |
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