INDEX TO INTRODUCTION AND NOTES.
Abbott, Dr., Shakespearean Gram- mar, 229, 232, et passim. Abdelazer, 282. Ælian, 261.
Age of repression, The, lxiii. Aglaura, 251.
Albion's Triumph, 239. Amorous War, The, 263. Anacreon, 276, 281.
Anglican Catholic approval of art, xlv, liii.
Anne, Queen, xxxiii, lx, 281, 286. Arber, Professor, ed. of Putten-
ham, xxvii; of Castara, 240; English Garner, 235, 241, 260. Arcades, 242, 246; quoted, xvii. Arcadian Princess, The, 247. Argonautica, 235. Arnold, Matthew, lxii.
Art and Morals, Divorce of, ix-xi. Ashton's Social Life in the Reign
of Queen Anne, 281.
Bacon, Lord, xxvii, xliii, 241, 250. Bagehot, Walter, xi.
Barnes, Barnabe, xlvii. Beaumont, Francis, 247, 268, 277. Beaumont, Sir John, xii. Bede, xlii.
Behn, Aphara, lxviii, 282, 284.
Beloe's Anecdotes of Literature, 267.
Biblical paraphrases in verse, xlvii. Biographica Britannica, 230. Blackmore, Sir Richard, liv. Brand's Popular Antiquities, 234, 237, 255, 268.
Brathwaite, Richard, 238. Breton, Nicholas, xlvii, 271. Britannia's Pastorals, 243~ Broken Heart, The, 233.
Brome, Alexander, lix, 257, 265, 278, 279.
Brome, Richard, xx, 238, 259. Browne, William, xvi, 243, 244,
Browning, Robert, lvii. Bryant, William Cullen, lxiv. Buckhurst, Lord, xxii. Bullen, Mr., More Lyrics, 230; 238, 239, 247; Musa Proterva, 260, 277, 284; ed. of Davison's Poetical Rhapsody, 266; 274, 278, 280.
Bunyan, John, lviii.
Burnet, Bishop, quoted, 280. Burney's History of Music, 285. Burns, 253.
Butler, Samuel, 282.
Campbell, Thomas, 248, 278.
Campion, Thomas, xlii, 233, 244,
Careless Shepherdess, The, 233, 265.
Carew, Thomas, xi; quoted, xii, xxxiv; xiii, xv, xxii, xxiii, xxvii, xxxiii; contrasted with Herrick, xxxiv-xlii; his religious lyrics, xxxiv ; occasional verse, xxxv; a poet of the court, xxxvi; re- served temper, xxxvii; vers de société, xxxix; his trochaic octo- syllabics, xlii; xlv, lii, lxiv, lxv, lxvii; authorship confused with Shirley, 231, 232; 235, 236, 240, 241, 246, 249, 252, 253, 260, 262, 266, 267, 279. Carey, Lucius, Lord Falkland, xxi, xxiii.
Carlyle, Thomas, lxiii.
Carmen Deo Nostro, 268. Cartwright, William, xxii, xxiii, xxxiii, lv, lix, lxv, 249, 257, 266, 280.
Castara, xxii, 1, 240.
Catullus, xiii, 234.
Celestina, 239.
Chalmers's English Poets, 265, 273, 276, 279.
Charles I, xiv, xv, et passim. Charles II, lviii, lxii, et passim. Cheerful Airs and Ballads, 235. Child, Dr. Clarence G., xxvii, xxviii.
Child, Professor F. J., English and
Scottish Popular Ballads, 229. Cicero, 248. Classicism, x, xviii, xix, lx-lxiii; assimilative, empirical, and re-
strictive, xxxiii; of Carew and
Herrick, xxxv; theories as to the origin of, lx. Claudian, 251.
Cleodora, 256.
Cleomenes, 285.
Clieveland, John, xxii; quoted, xxix, xli; lix.
Coleridge, Samuel Taylor, 276. Collection of Poems, A, Lans- downe, 286.
Collier, J. P., 246. Comedies,
Tragi-Comedies, and Other Poems, Cartwright, 257. Comus, xvii, 243, 244, 246, 271. Conceit, The Seventeenth Century fondness for, xxvii; early use by Sidney, xxviii; illustrations of, xxix, xxxiii, xli; varieties of, xxix; not wholly referable to Donne, xxx; Donne's use of, and Crashaw's distinguished, xxx, xxxiii; Cowley's use of, xxxiii, lxiv, 231, 237, 260, 263. Congreve, William, quoted, lxviii ; 286.
Conservative reaction in literature, lx; its value and meaning, lxiii ; lxv.
Constable, Henry, xlvii. Contention of Ajax and Ulysses,
Corbet, Richard, 277. Cota, Rodrigo, 239.
Cotton, Charles, xv, xl, lix; his debt to Carew and Walton, Ixiv; 231, 251, 275, 276, 279, 283. Cowley, Abraham, xxiii, xxv, xxvi, xxvii-xxix; quoted, xxxiii; lii, liv; long career, lx; great re- pute, lxiv; eclecticism, ib.; rela-
tion to Donne, ib.; lxv, 231, 247, 250, 251, 265, 276, 283. Crashaw, Richard, xv; quoted,
xxxi; his use of conceit con- trasted with Donne's, xxxi- xxxiii; xlv, xlvii; at Cambridge, li; artistic and devotional tem- per, ib.; goes over to Rome, lii; rhapsodic nature of his poetry, ib., liii; liv, lvii, lx, lxv, 237, 250, 258, 259, 261, 263, 268, 269, 279. Criticism, Eighteenth Century, of conceit, xxiv.
Cromwell, Oliver, 272-274. Cupid and Death, 274.
Darwin, Erasmus, 231. Davenant, Sir William, xxiii, xxxiii, xxxvi, lxiv, 246, 262, 279, 282.
Dekker, Thomas, xx, xxiii, 229, 230.
Delights of the Muses, The, li, 263. Denham, Sir John, lxiv.
De Quincey, Thomas, quoted, xiii ; xxvii, xxxiii.
Donne, John, xi, xv; character of his poetry, xix, xxiii; xxii; his imitators, xxiii; xxiv, xxv; con- tempt for form, xxiv; his satires, xxvi; xxvii; quoted, xxx; use of conceit, xxx, xxxi ; contrasted with Crashaw, xxxii; xxxiv- xxxvi, lvii, lxv, lxvi, 231, 232, 235, 237, 240, 241, 251, 257, 258, 262, 263, 265-267, 277. Dorset, Earl of, xxii, xxv, lxviii, 280, 282.
Dowden, Professor, 231. Drayton, Michael, xvi, lxv, 232, 244, 245, 247, 252, 261.
Drummond, William, lxvii, 244. Drury, Mr., his ed. of Waller, quoted, 247, 248, 284; 264, 265; his life of Katherine Philips, quoted, 280.
Dryden, John, xiii; quoted, xxv, xxvi, xxix; xxvii; practice of devotional poetry, liv; range of subject contrasted with Jonson and Pope, lxi; follows Jonson in the employment of occasional verse, satire, and criticism, ib.; his lyrics, ib., lxii, lxviii; lxiv- lxvi, 231, 242, 249, 271, 280–283, 285, 286.
Duke of Guise, The, 283. D'Urfey, Tom, xx, 285. Dyce, A., ed. of Shirley, 232, 236.
Egerton MS., 235.
Elizabethan literature, Nature of, ix; contrasted with Seventeenth Century literature, ix, x. Elizabethan Lyrics, A Book of, ix,
229, 233, 240, 247, 256, 260, 279. Elizabeth, Queen, ix, xiv, et passim. Emblems Divine and Moral, xlix, 248, 249, 258.
Emperor of the East, The, 238. English Gentlewoman, The, 238. Etheridge, Sir George, 280. Euripides, 261, 277. Evelyn, John, 282. Evening's Love, An, 281.
Faery Queen, The, xviii, 243, 245, 246, 285.
Fairfax, Edward, lxv, lxvii, 274. Fairfax, Lord, 270, 273. Faithful Shepherdess, The, 243,
Father's Testament, A, 269. Fenton's Waller, 230, 231, 248, 265. Ferrar, Nicholas, xlvi, li, 241. Flatman, Thomas, lxvii, 277, 278. Fleay, Mr. F. G., 229, 230, 256. Fletcher, Dr. Giles, xvi, 269. Fletcher, Dr. Joseph, 269. Fletcher, Giles, the younger, 269. Fletcher, John, xx, 238, 243, 245, 253, 268, 269.
Fletcher, Phineas, xvi, 269.
Ford, John, xx, xxii, 229, 230, 232, 233.
Forde, Thomas, 268. Fragmenta Aurea, 260.
Gascoigne, George, quoted, xxviii; xliii.
Gifford's Shirley, 232. Goffe, Thomas, xx, 233, 265. Gosse, Mr., From Shakespeare to Pope, lx, lxiv, 230, 248, 265; 239, 265; Eighteenth Century Literature, lx, lxiv, lxvi. Graham, James. See Montrose. Granville, George. See Lans- downe.
Gray, Thomas, 237.
Greene, Robert, xxiii, 252, 268, 271.
Grosart, Dr., his ed. of Herrick,
xxii, xxxv, 234, 254; of Herbert, liii; Vaughan, lv, 270, 275; Sylvester, 241; Cowley, 247, 251; Quarles, 248, 249; Greene, 252; Crashaw, 259, 262; Fuller Worthies' Miscellanies, 260, 283; Marvell, 271; 276.
Habington, William, xxii, xxiii, 1, lviii, 239, 240.
Hale, Professor E. E., Jr., his ed. of Herrick, lv, 233-235, 252, 254, 256, 261, 263. Haleluiah, 256.
Hales, Professor, xxv. Hallam, Henry, 277.
Hannah, Dr., ed. of Raleigh, 260; Courtly Poets, 268. Harrington, Henry, 277. Hausted, Peter, 239.
Hawkins's History of Music, 243. Hazlitt, Mr. W. C., ed. of Carew, xxii, 232, 246, 253; Herrick, 235; Randolph, 247.
Hazlitt, William, xiii.
Henrietta Maria, Queen, 231, 250, 258.
Herbert, George, xv, xxiii, xxxiii,
xlv; delivery of his Temple, xlvi; xlvii; his popularity, 1; li; purity of spirit, Puritanism and self-restraint, lii; contrasted with Crashaw, ib.; quoted, liii; 241, 242, 262, 269.
Herrick, Robert, xi, xiii, xv, xxii; quoted, xxiii, xxxvii, xl, xli; contrasted with Carew, xxxiv- xlii; his religious lyrics, xxxiv, xlv, liii; love of nature, xxxv, xxxvi; occasional verse, xxxvi; Hedonism, xxxviii; constructive excellence, xlii; metrical invent- iveness, ib.; lii, lvi, 233, 234, 235, 240, 247, 252, 254, 255, 258, 261, 264, 268, 270, 279. Hesiod, 244.
Hesperides, 233, 252, 254, 264, 268 xi, xxxvi.
Heywood, Thomas, xxiii. Hilton, John, 235.
Holburn Drollery, 253.
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