Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 33
... speak them , but did not shew clear meaning ; a thing of more moment to a popular assembly . This is a question , I ... speak to it ? ( To Horatio . ) [ I.ii.214 ] Not only personally put to Horatio , for this must certainly be done ...
... speak them , but did not shew clear meaning ; a thing of more moment to a popular assembly . This is a question , I ... speak to it ? ( To Horatio . ) [ I.ii.214 ] Not only personally put to Horatio , for this must certainly be done ...
Seite 109
... speak ludicrously , even when they speak the truth . All great acting has a certain strain of extravagance which the imitators catch hold of . They give us the eccentric body without the sublime soul . From the first I saw this ...
... speak ludicrously , even when they speak the truth . All great acting has a certain strain of extravagance which the imitators catch hold of . They give us the eccentric body without the sublime soul . From the first I saw this ...
Seite 215
... speak it at all . " After Claudius has stormed out of the play scene [ Act III , scene iv ] , Olivier's " Why , let ... speaking . But at least two of his fellow actors , who both went on to become similarly distinguished knights of the ...
... speak it at all . " After Claudius has stormed out of the play scene [ Act III , scene iv ] , Olivier's " Why , let ... speaking . But at least two of his fellow actors , who both went on to become similarly distinguished knights of the ...
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Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young