Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 168
... sense tag about ' the higher , the fewer ' . But nonsense may be the shortest cut to sense , and it is sober truth that the higher the quality of the thought the fewer the number of the words one can digest . I speak here for the normal ...
... sense tag about ' the higher , the fewer ' . But nonsense may be the shortest cut to sense , and it is sober truth that the higher the quality of the thought the fewer the number of the words one can digest . I speak here for the normal ...
Seite 173
... sense of modern stage conventions , of cli- max and dénouement , of time - relationships and the prop- er conduct of a plot . He has a way of not remaining consis- tent that is disconcerting to the theorist . To unify and simplify the ...
... sense of modern stage conventions , of cli- max and dénouement , of time - relationships and the prop- er conduct of a plot . He has a way of not remaining consis- tent that is disconcerting to the theorist . To unify and simplify the ...
Seite 291
... sense of intimacy between the actors and the playgoers and allowed the performers to mingle with the audience during the dramatic action . This attempt to establish actor / audience familiarity was further accentuated by costuming the ...
... sense of intimacy between the actors and the playgoers and allowed the performers to mingle with the audience during the dramatic action . This attempt to establish actor / audience familiarity was further accentuated by costuming the ...
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Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young