Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 53
... reason , " lest my extent to the players , which , I tell you , must show fairly outward , should more appear like entertainment than yours ? " He has his reason for this familiarity , as he has reasons for all he does , and for all he ...
... reason , " lest my extent to the players , which , I tell you , must show fairly outward , should more appear like entertainment than yours ? " He has his reason for this familiarity , as he has reasons for all he does , and for all he ...
Seite 62
... reason is so strong , and that all the fire of his imagination cannot consume it . It makes him mad to think that he cannot go mad ; and while he rages right and left , he watches all the time himself , as if he included in his persons ...
... reason is so strong , and that all the fire of his imagination cannot consume it . It makes him mad to think that he cannot go mad ; and while he rages right and left , he watches all the time himself , as if he included in his persons ...
Seite 312
... reason and sensibility sometimes tip him into madness . This madness offers no excuse for action or delay but is ... reasons calmly . And no sign of madness surfaces as he coolly judges himself after the players leave ( 2.2.560- 83 ) ...
... reason and sensibility sometimes tip him into madness . This madness offers no excuse for action or delay but is ... reasons calmly . And no sign of madness surfaces as he coolly judges himself after the players leave ( 2.2.560- 83 ) ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young