Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite viii
... Reading appearing at the end of each entry suggests additional reading on the performance history of the play . Explanatory notes summarize each essay listed here . · · · Additional Features A List of Plays and Poems covered in the ...
... Reading appearing at the end of each entry suggests additional reading on the performance history of the play . Explanatory notes summarize each essay listed here . · · · Additional Features A List of Plays and Poems covered in the ...
Seite 48
... reading their unqualified endorsement , as John Finlay contemptuously recalled : " The house shouted applause , but they should have shouted long before ' -good Hamlet , cudgel thy brains no longer ' " [ cf.V.i.56 ; Miscellanies , 1835 ] ...
... reading their unqualified endorsement , as John Finlay contemptuously recalled : " The house shouted applause , but they should have shouted long before ' -good Hamlet , cudgel thy brains no longer ' " [ cf.V.i.56 ; Miscellanies , 1835 ] ...
Seite 176
... reading of Shakespeare so often engenders . Fatigue will occasionally make it husky or an irresistible impulse toward experimentation lead to the use of vocal pyrotech- nics , but this is quickly disciplined . His voice is unusually ...
... reading of Shakespeare so often engenders . Fatigue will occasionally make it husky or an irresistible impulse toward experimentation lead to the use of vocal pyrotech- nics , but this is quickly disciplined . His voice is unusually ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young