Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 27
... Players is cut considerably , that part being omitted which in Shakespeare's time referred to the boy actors ( " an Aery of children , little Eyases " [ II.ii.339 ] ) , and the sole reason for the players ' travelling is the change for ...
... Players is cut considerably , that part being omitted which in Shakespeare's time referred to the boy actors ( " an Aery of children , little Eyases " [ II.ii.339 ] ) , and the sole reason for the players ' travelling is the change for ...
Seite 118
... players , he said : ' He that plays the king shall be welcome ; his Majesty shall have tribute of me ' [ 319-20 ] . The final welcome was spoken as an insult : ' Your hands , come then . Th'appurtenance of welcome is fashion and ...
... players , he said : ' He that plays the king shall be welcome ; his Majesty shall have tribute of me ' [ 319-20 ] . The final welcome was spoken as an insult : ' Your hands , come then . Th'appurtenance of welcome is fashion and ...
Seite 305
... players was stern and schoolmaster- ly , and the Player's attempt to lighten the mood with his mock modesty over their indifferent reformation only drew a sharp rebuke from Hamlet and a sneering gesture that identified us , the audience ...
... players was stern and schoolmaster- ly , and the Player's attempt to lighten the mood with his mock modesty over their indifferent reformation only drew a sharp rebuke from Hamlet and a sneering gesture that identified us , the audience ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young