Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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... ( Performance Series ) King Lear Othello Romeo and Juliet Volume 12 ( Performance Series ) The Merchant of Venice A Midsummer Night's Dream The Taming of the Shrew The Two Gentlemen of Verona Volume 13 Shakespearean Criticism Yearbook ...
... ( Performance Series ) King Lear Othello Romeo and Juliet Volume 12 ( Performance Series ) The Merchant of Venice A Midsummer Night's Dream The Taming of the Shrew The Two Gentlemen of Verona Volume 13 Shakespearean Criticism Yearbook ...
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... performance overly " weepy " rather than con- templative or ironic . However , after Howard revived his original plan and opened his Hamlet in New York , the Gielgud production emerged as the decided critical favor- ite . The McClintic ...
... performance overly " weepy " rather than con- templative or ironic . However , after Howard revived his original plan and opened his Hamlet in New York , the Gielgud production emerged as the decided critical favor- ite . The McClintic ...
Seite 8
... performance . Commentators took exception to what they deemed exces- sive textual cuts and rearrangements , asserting that the al- terations are detrimental to both the play's continuity and Shakespeare's poetry . Several critics did ...
... performance . Commentators took exception to what they deemed exces- sive textual cuts and rearrangements , asserting that the al- terations are detrimental to both the play's continuity and Shakespeare's poetry . Several critics did ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young