Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 233
... opening number for the National Theatre in Oc- tober I could fix that ; so we shook hands on it . And Olivier remembers that , far from being delighted at the deal , the two young directors Olivier had chosen to help him in shaping the ...
... opening number for the National Theatre in Oc- tober I could fix that ; so we shook hands on it . And Olivier remembers that , far from being delighted at the deal , the two young directors Olivier had chosen to help him in shaping the ...
Seite 262
... opening of the scene , drinks were offered to Claudius and Polonius , who accepted , and to Hamlet and Gertrude , who refused . The king rose , so all the court rose . After the king had spoken the first seven lines as a formal tribute ...
... opening of the scene , drinks were offered to Claudius and Polonius , who accepted , and to Hamlet and Gertrude , who refused . The king rose , so all the court rose . After the king had spoken the first seven lines as a formal tribute ...
Seite 301
... opening in the center . The effect was much like that of a Greek skena , an imposing multipurpose backdrop . On the floor a fan of lines radiat- ed forward from the opening , crossing a ten or twelve foot circle downstage center . Until ...
... opening in the center . The effect was much like that of a Greek skena , an imposing multipurpose backdrop . On the floor a fan of lines radiat- ed forward from the opening , crossing a ten or twelve foot circle downstage center . Until ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young