Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 27
... lines of advice to Ophelia , and Polonius is allowed fifteen lines of admonishment to his son for the first time in the century . Garrick's brain furnished him with two more . The description of Danish drunkenness is cut as usual . The ...
... lines of advice to Ophelia , and Polonius is allowed fifteen lines of admonishment to his son for the first time in the century . Garrick's brain furnished him with two more . The description of Danish drunkenness is cut as usual . The ...
Seite 74
... lines was only about 220 lines longer than the com- monly used acting version printed in the Modern Standard Drama . Although he claimed privately to have studied the text in a dozen or more modern editions , and although he was careful ...
... lines was only about 220 lines longer than the com- monly used acting version printed in the Modern Standard Drama . Although he claimed privately to have studied the text in a dozen or more modern editions , and although he was careful ...
Seite 351
... lines . His very first speech ( I.ii.50ff . ) is cut partially by Wood . Much of his long exhortation to Ophelia about Hamlet ( I.iii.5ff . ) is left out by everyone but Garrick's revision , which leaves out nothing , Olivier , who ...
... lines . His very first speech ( I.ii.50ff . ) is cut partially by Wood . Much of his long exhortation to Ophelia about Hamlet ( I.iii.5ff . ) is left out by everyone but Garrick's revision , which leaves out nothing , Olivier , who ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young