Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 54
... given to Hamlet's previous inquiry , " Hold you the watch to - night ? " [ I.ii.225 ] was given in such a pauseless manner as at least to confuse the auditor's understanding that Hamlet's thoughts had reverted to and had special refer ...
... given to Hamlet's previous inquiry , " Hold you the watch to - night ? " [ I.ii.225 ] was given in such a pauseless manner as at least to confuse the auditor's understanding that Hamlet's thoughts had reverted to and had special refer ...
Seite 127
... given of Hamlet by Mr. Forbes . Robertson is entitled to rank with the best that the present generation has seen . It was a crowded and a brilliant house that assembled for the opening of the season , and it be- stowed its commendation ...
... given of Hamlet by Mr. Forbes . Robertson is entitled to rank with the best that the present generation has seen . It was a crowded and a brilliant house that assembled for the opening of the season , and it be- stowed its commendation ...
Seite 352
... given a joint monopoly to present plays in London in 1660 , they were also given instructions for censorship— that one " clause in the warrant authorizes and commands ' Thomas Killigrew and Sir William Dauenant to peruse all playes that ...
... given a joint monopoly to present plays in London in 1660 , they were also given instructions for censorship— that one " clause in the warrant authorizes and commands ' Thomas Killigrew and Sir William Dauenant to peruse all playes that ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young