Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 91
... course charming them with pleasing atti- tudes ; astonishing them with stage tricks ; in short , of mak- ing it throughout , a physical rather than an intellectual demonstration . " Kate Field also found him " passionate " and ...
... course charming them with pleasing atti- tudes ; astonishing them with stage tricks ; in short , of mak- ing it throughout , a physical rather than an intellectual demonstration . " Kate Field also found him " passionate " and ...
Seite 145
... course of which he ejaculated the remark that , “ having seen all the great tragedians for thirty years , he had only now seen Hamlet acted to perfection . " Kittens of this kind were produced in large numbers . Two citizens , -one of ...
... course of which he ejaculated the remark that , “ having seen all the great tragedians for thirty years , he had only now seen Hamlet acted to perfection . " Kittens of this kind were produced in large numbers . Two citizens , -one of ...
Seite 182
... course of the play , as he seems to do also in Macbeth ? I think he does . In any event Hamlet must be a young man , though proba- bly not an adolescent . And his mother must seem to be a woman of young middle age , for a Gertrude older ...
... course of the play , as he seems to do also in Macbeth ? I think he does . In any event Hamlet must be a young man , though proba- bly not an adolescent . And his mother must seem to be a woman of young middle age , for a Gertrude older ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young