Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 47
... become impressively commanding by the lion - like power and grace of his bearing , " and Hunt found that , owing to his " exceeding grace [ and ] measureless dignity ... his little person absolutely becomes tall , and rises to the ...
... become impressively commanding by the lion - like power and grace of his bearing , " and Hunt found that , owing to his " exceeding grace [ and ] measureless dignity ... his little person absolutely becomes tall , and rises to the ...
Seite 210
... become the ghost drifting down into the castle or sweeping behind a pillar in the closet scene [ Act III , scene iv ] . We become Hamlet instructing the players from off - frame or looking with blurred sight at the waves breaking below ...
... become the ghost drifting down into the castle or sweeping behind a pillar in the closet scene [ Act III , scene iv ] . We become Hamlet instructing the players from off - frame or looking with blurred sight at the waves breaking below ...
Seite 253
... become Hamlet , statue , legend , the starry Prince . Death , as Malraux said , trans- forms life into destiny ; life has become art . It's an auda- cious effect to dice with , for it can work only if all that's gone before has been ...
... become Hamlet , statue , legend , the starry Prince . Death , as Malraux said , trans- forms life into destiny ; life has become art . It's an auda- cious effect to dice with , for it can work only if all that's gone before has been ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young