Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 382
... Ophelia of actual complicity . Her feeling was probably somewhat vague and confused , especially as she would not be taken more into confidence than was necessary . Much that was said in the preceding interview between the Queen , the ...
... Ophelia of actual complicity . Her feeling was probably somewhat vague and confused , especially as she would not be taken more into confidence than was necessary . Much that was said in the preceding interview between the Queen , the ...
Seite 414
... Ophelia results in angry revulsion against its cause- namely , the illicit passion of Claudius and Gertrude . His mother was once fair and honest , honest as Ophelia is now . Is Ophelia honest ? Impossible to think otherwise . But it ...
... Ophelia results in angry revulsion against its cause- namely , the illicit passion of Claudius and Gertrude . His mother was once fair and honest , honest as Ophelia is now . Is Ophelia honest ? Impossible to think otherwise . But it ...
Seite 418
... Ophelia , and in Laertes the leadership of a rebellion . Surely this must mean there had been great love in the children for their father ? The eccen- tricities , the long - windedness , etc. , of the man could be en- dearing , as well ...
... Ophelia , and in Laertes the leadership of a rebellion . Surely this must mean there had been great love in the children for their father ? The eccen- tricities , the long - windedness , etc. , of the man could be en- dearing , as well ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young