Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 125
... Laertes . You do but dally . Laertes I pray you pass with your best violence ; I am sure you make a wanton of me . Nothing neither way . Say you so ? Come on . Osric Laertes Have at you now ! King In scuffling they change rapiers . Part ...
... Laertes . You do but dally . Laertes I pray you pass with your best violence ; I am sure you make a wanton of me . Nothing neither way . Say you so ? Come on . Osric Laertes Have at you now ! King In scuffling they change rapiers . Part ...
Seite 307
... Laertes when Laertes came out to attack him . Hamlet seemed more annoyed than grieved , attacking Laertes for presuming to monopolize grief and for doing it so extrava- gantly . The others had to restrain Laertes , while Hamlet was ...
... Laertes when Laertes came out to attack him . Hamlet seemed more annoyed than grieved , attacking Laertes for presuming to monopolize grief and for doing it so extrava- gantly . The others had to restrain Laertes , while Hamlet was ...
Seite 406
... Laertes , " disarmed him in seconde , " and , setting his foot upon the poisoned weapon , offered his adversary with a low bow his own foil , useful only for defense . The contest was resumed and Laertes mortally wounded . Hamlet's ...
... Laertes , " disarmed him in seconde , " and , setting his foot upon the poisoned weapon , offered his adversary with a low bow his own foil , useful only for defense . The contest was resumed and Laertes mortally wounded . Hamlet's ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young