Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 122
... Gertrude emerged as a ' weak , sensuous , affectionate ' woman ' more sinned against than sinning ' . Her amazement when she echoed ' As kill a king ? ' [ III.iv.30 ] cleared her of complicity in the murder . Her ' awe - stricken ' face ...
... Gertrude emerged as a ' weak , sensuous , affectionate ' woman ' more sinned against than sinning ' . Her amazement when she echoed ' As kill a king ? ' [ III.iv.30 ] cleared her of complicity in the murder . Her ' awe - stricken ' face ...
Seite 212
... Gertrude , too , is re- deemed , for she knowingly drinks the poisoned wine , both punishing herself and making a sacrifice to help her son . With peace between Laertes and Hamlet , and with Hora- tio the Stoic left to rule Denmark ...
... Gertrude , too , is re- deemed , for she knowingly drinks the poisoned wine , both punishing herself and making a sacrifice to help her son . With peace between Laertes and Hamlet , and with Hora- tio the Stoic left to rule Denmark ...
Seite 376
... Gertrude's place , correspondingly , is no longer as secure as it once was as the electric focus of Hamlet's ambiguous love . Gertrudes today must do what they can . More than it used to , the relationship between Claudius and Gertrude ...
... Gertrude's place , correspondingly , is no longer as secure as it once was as the electric focus of Hamlet's ambiguous love . Gertrudes today must do what they can . More than it used to , the relationship between Claudius and Gertrude ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young