Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 77
... Fechter's " transgressions in this way were certainly few and far between . " Lauding Fechter's " natural " dramatic style and the originality of his production , the critic notes that " it was generally felt that M. Fechter's Hamlet ...
... Fechter's " transgressions in this way were certainly few and far between . " Lauding Fechter's " natural " dramatic style and the originality of his production , the critic notes that " it was generally felt that M. Fechter's Hamlet ...
Seite 90
... Fechter did not have to square off against a reigning champion , it would be a mistake to think of him as a David without a Goliath . The recover- able details of Fechter's characterization , together with its reception , make it ...
... Fechter did not have to square off against a reigning champion , it would be a mistake to think of him as a David without a Goliath . The recover- able details of Fechter's characterization , together with its reception , make it ...
Seite 92
... Fechter's portrayal , then , was a thor- ough - going commitment to the particular , the familiar , the colloquial , the distinctive , the idiosyncratic in human behavior - a commitment to whatever would aid in the representation of ...
... Fechter's portrayal , then , was a thor- ough - going commitment to the particular , the familiar , the colloquial , the distinctive , the idiosyncratic in human behavior - a commitment to whatever would aid in the representation of ...
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Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young